decorarts

Wallpaper Wonders and Other Curiosities at the 2012 Winter Antiques Show

In Antiques and Flea Markets, Winter Antiques Show 2012 on January 27, 2012 at 1:00 am

By Lynn Byrne.  After this week’s revelations about my house, there can be no doubt that I am obsessed with wallpaper.

So there should be no surprise that my favorite booth at this year’s Winter Antiques Show is the one held by Carolle Thibaut-Pomerantz.  It is filled with gorgeous wallpaper–most of which looked like papers that are illustrated in her book  Wallpaper.  How fun to see them in person.

That is why I go to shows like the Winter Antiques Show.  I like to see the best of the best.  Goodness knows I can’t afford to buy anything!

For example, the heart of the country girl in me quickened when I saw this pie safe.  I have always wanted one and this was perfect, except for one detail.  It costs $38,000!

Still, having seen it, I will better recognize the best that I can afford.  I will be scouting oversized  letters and numbers at the flea markets too–that 2 cents sign is super cute.

Sometimes I feel like I have stumbled on what must have inspired the works of other designers.  Don’t these c.1950 stoneware vases by Royal Copenhagen just scream Jonathan Adler?

Plus, there’s always the possibility that you will get the ultimate in design-obsessed thrills.  At this show, dealer Liz O’Brien has a slipper chair by Billy Baldwin in the exact upholstery shown on the cover of his collectible book Billy Baldwin Decorates.  Yep, seeing that is how people like me get their jollies. :-)

And, once I let myself go and forget about price tags, there are endless charming objects and vignettes. Here are just a few.

Lighthouse made from seashells--it was sold.

This urn might work at Downton Abbey.

Cool chandi. c.1948

More country charm.

The show runs though Sunday, January 29 and it is located at the Park Avenue Armory at 67 street, in NYC.

NOW AND THEN: Pendleton and Hudson Bay Blankets

In Decorative Arts, Now and Then, Pendleton and Hudson Bay Blankets on January 26, 2012 at 7:25 am

By Lynn Byrne.  Blankets are not just warm, they are HOT.

I see blankets popping up all over the place as everyone’s fresh new topper.  

New blanket offerings from Schoolhouse Electric

Dwell Studio's latest collaboration with Pendleton

Vintage (1974) blanket cape

But, of course, the Pendleton and Hudson Bay variety have a rich history.

HUDSON BAY COMPANY

The Hudson Bay Company actually preceded Pendleton by more than 100 years.  Hudson Bay has manufactured blankets since 1779 and are known best for its striped blankets in indigo, yellow, red and green as seen in the first photo above, although they do come in other colors.

Native Americans prized the blankets for their ability to hold warmth even when wet and because they were easier to sew than animal skins.  They traded beaver pelts, moccasins, buffalo skins and other trade goods for them. Yep, Indian trade blankets were not made by Indians, they were made for them.

"Pioneer at Fort Garry 1861", oil on canvas by Adam Sherriff Scott assisted by E.T. Adney, 1925. Detail from mural installed in the Winnipeg Hudson's Bay Company store depicting aboriginals, Métis and settlers wearing blankets and engaged in trade.

Hudson Bay Blankets in other colors.

 The short vertical lines seen on the traditional capote shown below, made from a Hudson Bay blanket, are known as “points” and the number of lines denote the size of the blanket.

In 1890, because other companies (including Pendleton) were making similar blankets, Hudson Bay began to label its blankets.  The labels are how most collectors date the age of the blanket.

If you ever spy an unlabeled, round corner blanket, scoop it up.  It could date before 1890.*  Click here for more information on collecting these blankets.  Here is an example of the Hudson Bay label used between 1934-1940. 

PENDLETON WOOLEN MILLS

Pendleton’s earliest roots began when Thomas Kay travelled across the country in 1863.  Kay landed in Oregon and began working in the woolen mills.  But, it wasn’t until 1909 when Kay’s grandsons, Clarence, Roy and Chauncey Bishop, moved the business to Pendleton, Oregon and took over an idle woolen mill located there, that the company Pendleton Woolen Mills was born.  The company still operates a mill in Pendleton and continues to be run by the Bishop family.  It handles all aspects of production from sourcing the wool to the actual weaving of the blankets.

With fabled Indian chief Geronimo as its first celebrity customer,  it is Pendleton Woolen Mills that developed the brightly hued Native American blanket designs.   The company took particular care to learn about the native mythologies and design preferences of its Native American customers.

Chief Joseph, Nez Perce, with a Pendleton Blanket.

That tradition continues today.  Each year Pendleton Woolen Mills, issues a “Legendary Collectible Blanket” that they design in close consultation with Native Americans.  The blankets are intended to be “heirlooms for tomorrow” and each bears a suede patch telling the blanket’s story.  Click here to see the series.  I particularly like the blanket issued in 2010.  Known as as the Lakota Way of  Life, it is intended to represent the Buffalo Nation.

Pendleton expanded into clothing, first for men in 1924, and then for women in 1949.  Fun fact: The Beach Boys were originally know as the “Pendletones.”  Even after they changed their name, they continued to wear Pendleton wool shirts on album covers throughout the 1960s.

The Beach Boys in Pendleton wool shirts.

The company’s first design for women was known as the 49er jacket.  An immediate hit, it was the “must have” jacket throughout the 1950s.  Lucille Ball wore one in a famous episode of  ”I Love Lucy”  called “The Camping Trip” in 1953.  Pendleton still offers them. 

If you are interested in collecting Pendleton vintage blankets, they, like the Hudson Bay blankets, are often dated by their labels.  Click here for more information.

I picked up my vintage Pendleton blanket on Ebay for around $60.  It is warm and cozy and not at all itchy.  I bought it because I liked the colors.  It can’t be that old—the label on my blanket bears the woolmark logo, which was designed in 1964.  

So get snuggly everyone.  Whether I have inspired you to start a collection, or you decide to buy new, wearing a blanket, or accessorizing your home with one is right on trend. 

*When researching this post, I came up with several different dates and makers of the round cornered blanket, ranging from 1890 to 1909.  All sources agreed, however, that a round corner could indicate age.

Photo credits: 1. Marion House Book  2. From Me To You tumblr  3. Schoolhouse Electric  4. UrbanOutfitters.com  5. Dwellstudio  6. Design Sponge  7. Linda in Wonderland  8. Urban Outfitters  9. Pendleton for Opening Ceremony  10. Pendleton Fall/Winter 2011  11. J.Crew  12. Couture Allure  13. pointblanket.com  14.-15. Wikipedia  16. Pendleton via National Musuem of the American Indian, Newservice  17. Pendleton  18. LA Times  19. Sailing Over A Cardboard Sea  20. LA Times  21. Barry Friedman’s Indian Blanket page

My Top Five Tips For Making New Construction Look Old

In Construction and renovation, My House, My Projects on January 25, 2012 at 1:00 am

By Lynn Byrne.  First, thanks so much to the lovely Emily A. Clark for featuring my  home on her blog, here and here.  I am overwhelmed.  Thanks to all of you who made such sweet comments and tweets.  I truly appreciate it.

Now, for the dirty little secret about my house.  While we rebuilt it, we did not restore it.  Yes, on the outside, especially from the front, it looks much like the original home.

But absolutely nothing in the rebuild is the same as what the house looked like when we bought it, before the fire.  To catch a glimpse of what we were dealing with even before the fire (and to see a bit of the construction process), click here.

Inside, there was no period detail to save or recreate, except for the in-laid floor decoration.  It was all stripped out in terrible “remuddles” over the years. And while we installed an inlaid floor pattern during the rebuild, even that went in differently than how it was installed in the original house.

So when building my home, I didn’t recreate what was there before.  Rather, I imagined what could have been there when the house was built and created those details for the new house.

Here are my top 5 tips for making new construction look old.

1. STUDY UP

I did a lot of research but there are two books I think are a must have, whether you are adding on to an older home, or starting fresh and hope to build new with character.

  • The first is A Field Guide to American Houses, by Virginia & Lee McAlester.  This book, with its many photos, will help you pinpoint your home’s architectural style.  It even has line sketches of exterior detail that you can incorporate in your construction plans to help make your home’s exterior look authentic.
  • The second book, The Elements of Style, edited by Stephen Calloway and Elizabeth Cromley, is truly a bible.  Billed on the cover as a “practical encyclopedia of interior architectural details from 1485 to the present,” it will help you answer all of the myriad questions that come up in construction.  How to use it effectively?  Identify your house from the Field Guide and then head to the appropriate chapter in Elements.

  • So, for example, I have a small vestibule just inside my front door (which, of course, did not exist in the old house).  When it came time to select flooring, my choice was easy.  Elements said that hall floors in homes originally built when mine was built usually were tiled with decorative encaustic tile laid in a geometric pattern.  Bam!  Guess what I installed.

2. PAY ATTENTION TO THE LIGHTING

  • If you are trying to make your new construction look old, please, please please stay far away from recessed can light fixtures.  Nothing screams “new construction” more.  Now, I will admit, when I barred this type of lighting in my house, my architect and builder thought I was crazy, especially in the kitchen.  But I was paying them so I prevailed.  And everyone agrees that it made all the difference.  Check out my solution for the kitchen lighting.
  • Following from there, choose light fixtures based on the architectural style of you house.  We all know it: lighting has a huge impact on atmosphere.  In some cases, I sprung for the real deal: in my dining room, the chandelier is a period antique.
  • Often, however, I ordered new fixtures from companies that specialize in architectural lighting like Rejuvenation and Brass Light Gallery.
  • Another tip, I made these new fixtures unique by purchasing period, antique shades on eBay.  These can be had very inexpensively.  You need only pay attention to the shade fitter size, and both Rejuv. and Brass Light will tell you what size each fixture requires.  Here is a close-up of one of the wall sconces in my front parlor: the shades are Victorian, the metal fixture is new.

3. LOOK TO HISTORIC HOUSES FOR INSPIRATION

Yep, I have said that before (just this week even).  I practice what I preach.  My husband’s office was inspired by the study in Teddy Roosevelt’s famed Shingle Victorian located in Long Island’s Oyster Bay (Larry is a big TR fan).  No it is not a replica, but it does have the same feel.  No animal heads ’cause the decorator (ahem) is not into taxidermy, but I did include the fish as an homage to my hub’s other favorite hobby.

4. WHILE I AM ALL FOR THE “MIX”, INCLUDING A FEW ANTIQUES FROM THE TIME PERIOD YOU ARE TRYING TO EVOKE GOES A LONG WAY

That is why I chose a Victorian period hall tree for my entry way.  You get the message from the get go.

5. LET WALL COLOR OR WALLPAPER HELP SET THE MOOD

Color is so subjective.  Still, I think that choosing wall colors from your favorite paint company’s historical palette, does make a difference in how a space feels.  So does wallpaper based on historical designs.  I have a love affair with Farrow & Ball but I also used historical colors from Ben Moore and Sherwin Williams.  All of my wallpapers are newly made but  the designs are from the turn of the last century.  (I am happy to share sources, in response to comments.)

Check out a favorite room in my house: the powder room.  The wainscot is a Victorian wall treatment known as lincrusta that I glazed (sourcing this required a bit of digging).  Above that is a wallpaper named Honeybee from America’s first woman interior designer.  No, its not by Elsie de Wolfe, but rather by a woman named Candace Wheeler.  She worked with Louis Comfort Tiffany.  I promise a future post on her.

I hope you find these tips helpful.  HAPPY BUILDING!

Photo of Roosevelt’s study from  NYPL Digital Gallery.  Room shots by Ellen McDermott.

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